Dying Victims Productions is proud to announce the following new releases:
DVP 177 Witchseeker – Scene of the Wild LP
DYING VICTIMS PRODUCTIONS is proud to present WITCHSEEKER’s highly anticipated second album, Scene of the Wild, on CD and vinyl LP formats.
Hailing from Singapore, WITCHSEEKER formed in late 2012, originally as a one-man project by Sheikh Spitfire. By the time of the band’s first EP, 2014’s Night Rituals, WITCHSEEKER had expanded to a trio but was then pared back to a duo for their debut album, 2017’s When the Clock Strikes, with Brandon Speedranger on guitars and Sheikh Spitfire on vocals, bass, and drums.
While traditional metal is not often associated with Singapore, WITCHSEEKER gained the attention of their national scene with a classics-minded style of heavy metal that’s packed with power, speed, melody, and aggression. Legions have joined their cause, and over the years, WITCHSEEKER have shared stages with such bands as Firehouse, Enforcer, Destruction, Midnight, Exciter, and many more.
Come 2019, WITCHSEEKER expanded to a quartet with the joining of Aip Sinner on drums and Nick Stormbringer on guitars. With this bolstered lineup, the band then wrote and recorded their second full-length, Scene of the Wild. Aptly titled, Scene of the Wild stylistically spans Sunset Strip hot-rockin’ and classy, cruising speed metal alike, all with the finesse and deftness of devotees of all that’s timeless and true. Each of these 10 tracks in an anthem unto itself, but each one offers something equally unique. Not here will you find one big blur of sameness: “Lust for Dust” is like a runaway train, while “Nights in Tokyo” offers space, shade, and a yearning heart; “Rock This Night Away” does exactly what it says, while the title track is a ballroom blitz; “Screaming in the Moonlight” is a steady night-time strut, while “Candle in the Dark” struts to a darker, more personal pulse; and plenty more to be experienced elsewhere. Keeping things true, WITCHSEEKER don’t let proceedings get too slick, retaining a rawness of approach and authenticity of spirit, together giving Scene of the Wild a “scrappy underdog” aspect not unlike Mötley Crüe’s Too Fast for Love.
WITCHSEEKER are a promising band from a small country, just now realizing the depth of their potential. Graced with literally awesome cover art courtesy of Mario Lopez, Scene of the Wild is a vision of heavy metal revolution!
– Regular edition on black vinyl, with insert, poster, sticker, post card and download code.
– Special edition sold out
DVP-R 002 MP – Bursting Out (The Beast Became Human) LP
RELICS FROM THE CRYPT, the newly founded sub-label of DYING VICTIMS PRODUCTIONS, is proud to present a reissue of MP’s cult-classic debut album, Bursting Out (The Beast Became Human), on CD and vinyl LP formats.
Originally released in 1986 on the short-lived Steps Records, Bursting Out (The Beast Became Human) was the first recorded statement of Germany’s MP. As such, it retains all the electricity and urgency of youth. It also upholds Germany’s rich heritage of heavy metal, which spanned the early hot-rockin’ throes of post-NWOBHM to the nascent rumblings of speed metal and its subsequent thrash offshoot, and of course the more mainstream stylings which lingered across all those idioms. It was still the 1980s, after all, and “heavy metal” as both a term and especially a musical style & subculture had yet to be too finely locked into boundaries. And with a complete lack of self-consciousness and, in its stead, an abundance of enthusiasm and energy, MP ably crisscrossed all these metals on their debut album, Bursting Out (The Beast Became Human).
Indeed, aptly titled, Bursting Out (The Beast Became Human) is a measured and never-messy explosion of hooks and heaviness, headbanging and hard-driving speed. Rough and raw yet somehow refined, MP at this stage authentically conveyed a sense of literally living & breathing HEAVY METAL, and each of the 10 should-be anthems comprising their debut full-length delivered the goods, each one as different as the last but altogether unified in their all-out metalness no matter the dynamic being explored. From the locomotive thrust of the opening title track to sleazy, midnight-walking panthers like “Startide Rising” and especially “Out for Love,” from the equally sleazy blitz of “On the Loose Again” to the stand-up-and-shout strut of “Fight for Your Life” right after and concluding with the moody push ‘n’ pull of “World of Tiers,” MP covered all ‘80s-stock metal bases and then some. Naturally, the specter of national heroes Accept loomed large across Bursting Out, but the band could just as handily hold their own with the likes of Living Death, Iron Angel, and Warrant domestically and even Exciter, Abattoir, and Nasty Savage overseas. And if their seemingly odd choice of moniker left any doubt, the trio drove the point home with “MP (Metal Priests).”
MP continued on for two more albums before changing that moniker to Melting Point, the title of their 1992 album still under the MP handle. But, of course, the band’s Bursting Out debut is their most beloved album, and one that cemented MP’s status as a cult band. Experience it again – or for the first time – on vinyl again since its original release, or on CD with five live bonus tracks!
– Regular edition on black vinyl, with insert, poster, sticker, post card and download code. ALL RECORDS DAMAGED; NEED TO BE REPRESSED!
– Special edition sold out.
DVP 178 Evil – Possessed by Evil PicLP
Dying Victims Productions is proud to present EVIL’s second album, Possessed by Evil on Picture Disc format. The release is licenced from Nuclear War Now! and will include 3 additional live tracks.
As previously demonstrated on the 2017 debut, “Rites of Evil,” as well as the demo, two live recordings, and split with Siege Column that have since emerged, these twelve tracks of black/thrash metal once again capture the darkness of first wave black metal and unite it with the aggressive precision of early Teutonic thrash. Previous points of comparison between Evil and early Sodom continue to hold true, as do those that recognize similarities with the most notorious of Japanese hardcore outfits, especially insofar as the unhinged vocal delivery is concerned. Evil is anything but apologetic in its reverence to its metal heritage, which is what lends its recordings such a high degree of authenticity. “Possessed by Evil” is an unabashed conglomerate of riffs, accentuated by incisive leads and rabidly barked vocals. If there is one notable contrast with the debut album, it would be an increased cohesiveness among the instruments. Whereas “Rites of Evil” at times felt a bit loose, the performances on this album are characterized by noticeably tighter synchronicity, which one could logically assume to be the result of the band’s greater longevity. In any case, the outcome is one that represents a step forward from an already impressive debut and one that confirms Evil among the best of its black/thrash metal contemporaries.